Cameraman Ganga Tho Rambabu review

Cameraman Ganga Tho Rambabu
With Power comes Responsibility.

I am a big fan of Pawan Kalyan,  I like him for his sincerity, his infectious mannerism, his honest approach towards his profession and I relate with him with his frustration when his films does not live up to the expectation. Not only me, but several fans of Pawan Kalyan (they are Millions) who throng to theatres first day irrespective of his last film performance at Box Office praying to God that this film should succeed, it is a similar experience like watching Sachin Tendulkar play. You want him to perform, succeed and win laurels as in their success is our satisfaction.
I do not blame pawan kalyan, he trusts the director, the script but what translate on the screen he has no control. Camerman Ganga tho Rambabu is a perfect plot for Pawan Kalyan to display his talent but Puri Jaganath is a man in a hurry. He has no time to flesh out the character, to develop nuances, to go to into the details as hit or flop it is not making difference to his life, his life goes on but for fans of Pawan kalyan one more opportunity missed, The entire film looks like a rush job, you can feel the actors just coming to sets and just deliver dialogue, there is no time to get into the skin of the character, they appear lost, there are so many scenes where Pawan kalyan looks confused, not sure of himself and totally lost. The film is mostly indoors, all the songs are shot on the sets, (there is no time to go outdoor I presume) .  Puri Jaganath fails in several Departments, he had talent and resource at his disposal but his lethargy shows.  His approach towards film making has become very inconsistent, he knows that out of dozens films he makes one will succeed and that one will make him available In the market and make him create wealth for himself irrespective of others losing their wealth especially the distributors, exhibitors, sometime the producers, and the actors who trust him may make wealth but loose their credibility.
Puri has a decent plot which has potential to become a block buster, whenever a superhero does a message oriented movie it has to arouse the interest of the commoner, motivate him, inspire him and raise a comfort level that I am with you. Recent example Amir Khan TV show, His honest approach and his treatment towards evil practices/causes in society awakened all strata of society including Government, NGO etc. and made the common man thinking and the Government sit up and take decisions.
If you start diagnosing about the film you can write pages and pages about what went wrong and what might would have been done, but the damage is already done, The Collections are slipping, the distributors/theatres may loose their money, the only saving grace is Damrukam not releasing as schedule, it would have made a dent in CGR collections.
As a fan of Pawan Kalyan I wait again for his next film and hope the directors will use his talent to the maximum and make us happy and the line they should always remember “ with power comes responsibility.”

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Cameraman Rambabu Movie Review

Cameraman Gangatho Rambabu

Review

Rating: 3.0/5.0

Presented by: S.Radha Krishna(Chinababu)

Banner: Universal Media

Cast: Pawan Kalyan, Thamanna, Gabriela Bertante, Prakash raj, Kota Srinivasa rao, Tanikella Bharani,Ali, Brahmanandam,Uttej, Scarlett Wilson,Nassar

Action: Vijay

Art: Chinna

Editor: SR Sekhar

Cinematography: Sam K. Naidu

Music: Mani Sharma

Producer: DVV Danayya

Story-Screenplay-Dialogues-Direction: Puri Jagannath

CBFC rating: ‘U/A’

Release Date: 18-10-2012

Story: Rambabu(Pawan Kalyan) is mechanic and he runs a repairing shed. Pawan reacts to every sensitive news and goes to question the culprits. This attitude is liked by Ganga(Thamanna) who works for a media channel, she invites him to join her channel as reporter. What are the issues that take place in the state and how Rambabu as areporter faces them is what the movie is about?

Performances: Pawan kalyan is fantastic in the role of reporter, he justified it very well. He has given remarkable performance in some emotional and serious scenes. Thamanna is okay and suited well to the Tomboyish role. Prakash Raj is good as usual. Kota Srinivas Rao and Tanikella Bharani are apt for their roles. Nassar, Ali, Brahmanandam, MS Narayana fitted to their roles. Gabriela is restricted to a couple of scenes and a song. The Art work is okay. The Cinematography and Editing are mediocre. Music is Average with couple of catchy songs. The story has strong potential but the screenplay could have been better.The production values are okay.

Analysis: Pawan looked good and focused. He delivered his lines with the emotion in peak heights. Thamanna is okay in the role of camerawoman. She dominates Pawan in the first half as pawan is subtle and calm. Gabriela (Billa 2 & Devudu chesina Manushulu “Disturb chesthunnade” fame) is okay. She appears only in the second half. Scarlette sizzles only in the item song “Joramocchindi”. Kota and Prakash raj are good in their roles. Ali,, Brahmanadam, MS are okay.

           The Art work is good but most of the sets are in dark colors and The Lighting is not bright (may be intentional). The cinematography is mediocre. The VFX work could have been better. The editing is okay, the movie appeared bit lengthy. There are hardly no moments where Audience feel bored, they are engaged but not with satisfactory content.

                    Fans of Pawan kalyan are on cloud nine after the block buster Hit Gabbar Singh. The hype and Euphoria started well before when the teasers and Audio songs got released. Gabbar Singh is a typical Mass masala flick with all ingredients. Puri did not concentrate on mixing the mass elements (All the scenes appeared artificial even though he tried in couple of places). The movie goes on a single point agenda of how media works and how it should be? Dialogues of Puri are again a Highlight in this movie. Puri proved once again that he is good at scripting strong Dialogues.

      There are only three stories to which the Scenes shift:- Pawan-Thamanna Thread, Kota_Prakash raj thread and Studio scenes in the combination of Ali or Brahmanandam.  Director puri has selected a strong message oriented concept and pawan’s performance made it even powerful but the execution leaves the Audience unsatisfied at times.

There are some scenes which work very well

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Pawan telling to Thamanna that all girls are Ordinary and only Men make them feel extraordinary (followed by song)

Pawan talking to media in the Pre-Climax (“Poradithey Poyedhi Emi ledhu baanisa Sankellu Thappa”)

Kota Coming to the Studio where Pawan works to question his son’s Arrest is very good.

Hilarious scene in the studio, where pawan asks Brahmanandam to read news.

Pawan Questioning Prakash raj just before his arrest regarding ‘Telugu Thalli’

Fight sequence where Prakash tries to kill Pawan and shoot that (railway wagon shed).

 --------------------

These scenes work well not only with fans but appeal to all the sections. The entertainment quotient also did not work as expected.

The Sequence of songs:

First half:

1. Joramocchindi

Singers: Kushi Murali,   Shravana Bhargavi

Lyricist: Bhaskarabhatla

The song is picturised as Item song on Scarlette and pawan. The song is catchy.

2. Extraordinary

Singers: Hemachandra

Lyricist: Bhaskarabhatla

The song is picturised on Thamanna and Pawan, The song is melodious and slowly gets into the nerves. Pawan has come up with some simple steps.

Second Half:

3. Pillani Choosthey

Singers: Karunya, Chaitra 

Lyricist: Bhaskarabhatla  

Picturised on Gabriela and Pawan, Pawan appears in traditional costumes. The song is okay.

4. Melkal Thiruguthuntey Ammayo

Singers: Narendra, Geetha Madhuri

Lyricist: Bhaskarabhatla 

The Song Picturised on Thamanna and Pawan in typical Mexican/European Cow boyish style. The song looked good on the screen.

5. Thaladinchuku

Singers: Hemachandra, Karunya, Srikrishna, Narendra 

Lyricist: Bhaskarabhatla

The song comes in the climax where all the supporters of Rambabu come over to Hyderabad

CMGR Theme

Singers: Hemachandra, Karunya, Narendra

Lyricist: Bhaskarabhatla

The theme song is used as background score in a couple of scenes.

The songs are okay on the screen, couple of songs got highlighted due the previous establishment scenes (Joramocchindi and Melkal thiruguthuntey).All the songs (duets) are picturised in interiors (sets) which gave a dark feel. The Background score is good. The BGM just before the speech of Pawan before media is damn good.

               The First half is passable and the second half is good. It’s a feast for the fans to watch their hero delivering his best lines. Pawan kalyan mesmerizes Once again with his explosive and electrifying performance.  A sensitive and message oriented movies which touch Social issues and contemporary problems should be told in a commercial format (sugar coated) to make them Big Hits, this movie lacks too many commercial elements.

Reel guru Meter:

Story/Screenplay: 50%

Performances: 80%

Entertainment: 30%

Narration: 50%

Watch the movie with fewer expectations to enjoy more. The Movie gets good openings and Collections (probably record high) as Pawan kalyan scored a big Hit recently. The Potentiality of the flick at the Box-Office depends on how the B, C Centers receive it.

Plus: Pawan kalyan, Dialogues, couple of songs and fights

Minus: lack of commercial elements

Verdict: Pawan’s show all the way. Can be watched for Pawan kalyan’s wonderful performance.

Reviewed By

Vinay

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SIVATHANDAVAM Movie review

SIVATHANDAVAM

Review

Rating: 2.75/5.0

Presented by: UTV Motion pictures

Banner: Teja Cinema

Cast: Vikram, Anushka, Jagapathi babu, Kota Srinivasa Rao, Nassar, Santanam, Lakshmi Rai, Amy Jackson, saranya

Editing: Antony

Cinematography: Nirav Shah

Music: G.V.Prakash Kumar

Producer: C.Kalyan

Written and Directed by: Vijay

CBFC Rating: ‘U’

Release Date: 5-10-2012

Story:  Kenny (Vikram) is a blind man who lives in London and plays piano in a church. Sarah (Amy Jackson) is a British born Indian girl and winner of Miss London title, meets Kenny in a church and develops a soft corner for him. Kenny travels in a cab for which Satya(Santanam) is the diver and kills few people. Veerakathi(Nassar) is the police officer who investigates those murders. Why Kenny does all this? What’s the story behind his silence is what the remaining story is about?

Performances: Vikram has delivered another finest performance. He is very good. Anushka is good and suited well to the role. Jagapathi Babu is good as friend of Vikram. Santanam, Nassar are okay. Lakshmi Rai and Amy Jackson fitted to their roles. Cinematography is topnotch. Music by G.V.Prakash is good. Editing by Antony is okay. The story is simple and the screenplay is predictable. The Direction is good.

Analysis:  Vikram has come up with yet another different role. He tried a different character with varied shades. Vikram has done fantastic job both as Sivakumar and blind man Kenny. His body language and performance are of top class. Anushka played the role of wife of Vikram and she has given a very controlled and matured performance. Vikram does not have a lot of dialogues, but his eyes and expressions convey all the emotions. The Love thread between Vikram and Anushka is more like a Maniratnam montage with fewer dialogues. Jagapathi Babu is good in a pivotal role and he delivered the needed output.

        Sivathandavam is the dubbed version of Tamil flick THANDAVAM released last week in Tamil. The story is not a new one, its simple - hero taking revenge type but the backdrop and execution is different. Music and background scores composed by GV Prakash Kumar are one of the highlights of the movie. The two melody songs with Anushka are good. The songs are melodious but slowed down the pace of the movie a little bit and appeared as speed breakers.

                Santhanam has done a little bit of Comedy as a London taxi driver. He is good as usual with his typical comedy punches. Lakshmi Rai is seen only in a brief role. Art work is good. Cinematography by Nirav Shah is eye pleasing. The action choreography by Manohar Verma is awesome especially the fight scene when blind Vikram is attacked by foreigners in a park was well choreographed. The movie appeared bit lengthy, Antony could have trimmed the length of the movie; a ten minute chopping in the Telugu version could have helped in make it look crisper.

                       The director AL Vijay earlier directed KIREEDAM, MADRASAPATTINAM, DEIVATHIRUMAGAL(dubbed in Telugu as Nanna). The attempt of the director to mix the concept of human echolocation to a revenge drama is good but the concept could have been explained clearly to appeal to the masses. The screenplay is predictable at times. The movie runs with/around a few characters only. Vikram- Anushka love track was well dealt. It has shades of Ghajini. The concept of blind man performing murders reminds us of RENDU (starring Madhavan, Anushka) movie. There are some scenes which miss the general logic, keep them aside to enjoy the movie more.

The movie is targeted at Multiplex Audience.

Reel guru meter:

Story/Screenplay: 60%

Performances: 80%

Entertainment: 50%

Narration: 60%

                      

Plus: Performances (Vikram), Direction

Minus: Slow Narration, Simple story

Verdict: Vikram’s show all the way, Not for all- Only for those who are bored of watching routine run-of- the- mill movies.

Reviewed by

Vinay

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REBEL Movie Review

REBEL

Review

Rating: 2.75/5.0

Banner: Balaji Cine Media

Cast: Young Rebel Star Prabhas, Tamanna, Krishnam raju, Deeksha Seth, Brahmanandam, M.S.Narayana, Kovai sarala, Supreet,Ali

Lyrics: Ramajogayya Sastry, Bhaskarabhatla

Dialogues: Darling Swamy

Fights: Ram-Lakshman

Art: A.S.Prakash

Editing: Marthand.K.Venkatesh

Cinematography: Ram Prasad

Producers: J.Bhagwan, J.Pulla Rao

Story-Screenplay-Choreography-Music-Direction: Ragava Lawrence

CBFC rating: ‘A’

Release date: 28-09-2012

Theater watched: Prasadz, 8.45 A.M

Story: Rishi (Prabhas) comes to Bangkok along with brahmanandam and joins as a student where Nandini(Tamanna) teaches dance classes. Rishi actually has come over there in search of some one who is closely related to Nandini. He traps her in his love and what happens after that? What’s his mission? Did he succeed in that is what the film is about? Deepali(Deekshaseth) is Rishi’s lady interest in the flash back episode.

Performances: Prabhas is good. He performed well. He completely surrendered to the director. He emoted well in crucial scenes. Tamanna is used for skin show and she has done complete justice to it. Deeksha Seth is okay in small role. Krishnam raju appears in a brief role in the flashback. The remaining actors are okay. The art work is good. The Editing could have been better. Cinematography is good. Music is bad. The story is predictable. The screenplay is boring and the direction is poor (except a few episodes)

Analysis: Prabhas is good. He performed well in all the scenes. He is good in temple (Krishnam Raju, Prabha, and Deekshaseth) scene. He looked macho with stylish costumes. He once again proved that he is a director’s actor. He showed variation in all the get-ups. Tamanna looked good in glamour show and she has done a bit of over action (over board) at times. She danced well in the songs. Deeksha Seth is okay; she has less screen presence and can be seen in a song only. Krishnam raju is okay (doesn’t do much other than delivering dialogues sitting in a chair). Supreet got a crucial role and he impresses very well. Prabha, Mukhesh Rishi, Ali are okay.

              Brahmanandam and Kovai Sarala track is the only comedy track in the film. The comedy is of cheap standards. Ali dance episode is dragged to the maximum limit. The second half is completely stuffed with violence scenes. The flash back episode also failed to rise to the expectations. There are very limited scenes in the movies. All the scenes are lengthy and appeared stretched. You may even get a feel like you are watching continuous lengthy episodes which are not edited.

           Coming to the technical aspects, The Art work is fine and film is horribly lengthy with many ups and downs, the editor could have made it crisper. The Music of the film is a big letdown. The songs are not even worth for listening once. Lawrence should seriously think of quitting that responsibility (Music Direction). The Background score is loud at times.                

                     Lawrence once again cooked up another film who doesn’t apply much of the brain and they don’t have many questions in their mind like why and how? The Fight sequences are well choreographed. They looked stylish. The pre interval, episode and the Fight at the temple and the climax fight looked good on the screen. Lawrence showed much maturity in monitoring Fights rather than choreographing the songs as the Music is utterly poor. The graph of the film suddenly drops and bores you and quickly rises to peaks just before the fight episodes. The violence dosage is more.

                If you are a fan of Prabhas and waiting/wanting to see him in a mass role it’s for you, You can enjoy the movie more if you care less about logic, scenes and in the fights (if you are okay with heavy Thread work filled with artificiality)…..and last but not the least if you don’t bother much about the story You may watch it once.

                       Like earlier Lawrence movies this movie too has Black /white suits and cars. Fights shot in rain effects. Blue swimming pools with skin show, a chopper in the climax and some trained lady fighters. The movie has style even though it lacks substance. The fate of the Film completely depends on how the masses receive this flick.

Reel guru Meter:

Story/Screenplay: 40%

Performances: 60%

Entertainment: 30%

Narration: 50%

Plus: Prabhas, Fights

Minus: Story, Screenplay, Music, Direction

Verdict: Strictly for Prabhas fans and Masses

Reviewed By

Vinay

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OK OK Movie review

OK OK

Review

Rating: 3.0/5.0

Banner: Sri Sai Ganesh Productions

Cast: Udayanidhi Stalin, Hansika, Santanam, Saranya, Sayaji Shinde

Editing: Vivek Harshan

Cinematography: Balasubramaniam

Music: Harris Jayraj

Produced by: Bellamkonda Suresh, Bellamkonda Ganesh babu

Written and Directed by: Rajesh. M

CBFC Rating: ‘U’

Release Date: 31-08-2012

Story: Srinivas(Udayanidhi Stalin) is a happy-go-lucky youth and Bangarraju(santanam) are friends who work for a multiplex in Vizag. Srinivas happens to see Meera(Hansika) at a traffic signal and falls for her charm instantly. He follows her and expresses his love but she is not interested, how he encounters it with his friend and what does he plans to make her fall in love is the remaining story.

Performances: Udayanidhi is okay, he has to concentrate more on his body language and dances if he wants to act in more films. Santanam is at his all time best with good lines. Hansika is beautiful and performed well. Saranaya impresses in her scenes. The remaining cast suited well. Cinematography is good. The art work and editing are okay. Muisc by Harris Jayraj is Average with a couple of catchy numbers. The story is simple, the screenplay is interesting and the direction is good in few scenes.

Analysis: Udayanidhi is okay and represents the present day youth who runs after girls. Udayanidhi (The producer turned actor) who made a cameo in Ghatikudu(Surya, Nayanatara), appears in the end of the film along with K.S.Ravikumar tried his hand as hero also. Hansika is beautiful with chubby looks; she has put on a lot of weight and looked odd in some costumes. Santanam has done a very good job. He has given his all time best with perfect comedy timing. Santanam is the saving grace with witty punch lines. Sunil has dubbed his voice in Telugu version. Initially it appeared that it’s a mismatch but later the timing is so good that you start enjoying. Sunil has done decent job.

Art work and Editing are okay. The cinematography by Balasubramanyam is good. All the frames looked rich. Music by Harrish Jayraj is okay, “Vaddu raa” and “Akila Akila” are foot tapping numbers. The Background score is good. The story of the film is wafer thin. The way it’s narrated is good. There are some repetitive scenes but can be ignored.

               The Director Rajesh has come up with yet another film which revolves around love and friendship. All the movies(Siva Manasula Shakti- remade in Telugu as SMS, Boss Engira Bhaskaran- dubbed in Telugu as “Nene Ambani Aru Nelallo”) of Rajesh have common elements, Hero-Heroine have clash in their love thread, hero has a friend who delivers punch dialogues and becomes a fool in the end. Rajesh and Santanam combination rocks once again. Hero-Heroine ego problems have become repetitive in Rajesh films.

       Tamil Hero ‘Arya’ and ‘Andrea’ made brief appearances in the climax. The flight scene where Sneha was seen in a cameo was edited in the Telugu version. There are limited characters in the film which may bore you at times. Saranya impresses once again in her scenes. All the scenes of Santanam and Udayanidhi are entertaining. The story narration scene on the stage towards the climax is good. There are many scenes which are predictable and nonsensical but make you sit all through. There is no big story in Ok Ok but the way its packaged entertains you.

The movie is targeted at youth Audience and it may go well if received by them.

Reel guru meter:

Story/Screenplay: 60%

Performances: 60%

Entertainment: 70%

Narration: 60%

Plus: Entertainment, Santanam

Minus: wafer thin story line, limited characters

Verdict: An OK love story---Decent and Clean youthful Entertainer

Reviewed by

Vinay

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Julayi Movie Review

JULAYI

Review

Rating: 3.25/5.0

Banner: Haarika & Hassine Creations

Presented by: DVV.Danayya

Cast: Allu Arjun, Ileana,Rajendra Prasad, Sonu Sood, Kota Srinivas rao, Brahmanadam,Tanikella Bharani,M.S.Narayana, Dharmavarapu Subrahmanyam

Script Co-ordinator: Sai Gopal

Stunts: Peter Hein

Art: Ravinder

Editing: Prawin Pudi

Cinematography: Sam k Naidu, Chota .K.Naidu

Music: Devi Sri Prasad

Producer: S.Radha Krishna

Written & Directed by: Trivikram Srinivas

CBFC Rating: ‘U’

Release Date: 9-08-2012

Story: Ravi(Allu Arjun) is typical youngster who believes in easy money. His father (Tanikella Bharani) scolds him always for that. Bittu(Sonu Sood)  and his gang plans for a  bank robbery and Ravi helps police in spoiling their plans. He has a threat from them so he leaves for Hyderabad. Ravi falls in love with Madhu(Ileana). How Ravi escapes from the gang is what the movie is about?

Performances: Allu Arjun is energetic and showed some variation from his previous movies. His typical careless nature with intelligent brains and smart characterization worked well. Ileana is okay. Rajendra Prasad is back with some comedy. Sonu Sood is okay as villain. Brahmanandam, Dharmavarapu, Rao Ramesh, Brahmaji fitted to their roles well. Kota’s role is limited to a couple of Scenes. Art work is fine. Cinematography is good. Music by Devi Sri prasad is good. The story is wafer thin. The screenplay is okay to certain extent. The Direction is good in few scenes.

Analysis: The film is not new. The story line is very thin. The padding scenes are also weak in terms of drama but the director Trivikram Srinivas’ treatment of the subject is very fresh and innovative. He followed a different (not his original style) pattern in taking the movie forward. Trivikram once again proved that he can insert entertainment (comedy) at any point of the film. The Comedy and dialogues have turned the serious subject into lighter vein entertainer.

       Allu Arjun’s energy is rocking and he excelled in comedy timing too. Ileana doesn’t have much to do. Rajendra Prasad is good. Kota Srinivas rao is wasted. Sonu Sood has done yet another baddie role. The remaining cast is okay. Ali, Posani Krishna Murali and Vennela kishore are seen in small cameos. Cinematography is very cool with eye catchy locations. Art work is fine. Editing by Praveen Pudi is decent. The production values are rich. The Screenplay and some scenes are predictable at times. The characterization of Allu Arjun (initially) could have been better [Should have shown that Allu Arjun is addicted to easy money and then his life takes a ‘U turn due to the circumstances].  The Hero-Heroine love/romantic thread is also not satisfactory. Trivikram followed the pattern of “ATHADU” again --- where he opens with a serious incident and then blocking it and reveals the fact in the later half. The bank robbery scenes are highly inspired from Dark Knight (recently we have seen the same in Mr.7 Movie).

       Music by Devi Sri Prasad is the biggest asset to the film. The background score is okay. The lyrics are youthful and peppy. The lyrics are catchy even though they are not up to the standards of Trivikram’s previous movies.

The Sequence of songs:

First Half:

1.Julai

Singers: Suchith Suresan , Priya Himesh

Lyrics: Ramajogayya Sastry

The title song is picturised on AlluArjun and Chorus.The Choreography is okay, especially the Sync of steps with the chorus is good. Udaya Bhanu made a special appearance in the song.

    

      2. O Madhu

Singer: Adnan sami

Lyrics: Devisri Prasad

The song is split into two Parts (like “My heart is beating” from Jalsa movie) and picturised on the lead pair.

    

      3. Chakkani Bike undi

Singers: Tippu, Megha

Lyrics: Sri Mani

The best picturised song (both Audio wise and visually). The song is picturised in the locations of  Dubai.

Second Half:

4. Osey Osey

Singer: Jassie Gift

Lyrics: Sri Mani

The song comes as teasing song between the pair. The song is picturised in Ramoji film City.

5. Mee Intiki Mundu

Singers: Sagar, Renina reddy

Lyrics: Sri Mani

The song is picturised on sets with thematic background visuals.

6. Pakado Pakado

Singers: Malgadi Subha, Devi Sri Prasad

Lyrics: Rama Jogayya Sastry

This song bit comes as a background one during the chase.

All the songs looked good on the screen. The visuals are cool. Allu Arjun danced well, he dances so effortlessly.

Apart from the Dialogues in the trailer there are some good ones which is the core strength of the film. Few of them are

“Young and allergetic”

“Ganta Kottalantey Ila - - - -Kotteyalantey Ila”

“Polaalaki Vesinatlu dheeni pallaki Kanchesaarenti”

“Andhukey manadesam lo scientist la kanna Baba lu famous”

“O Dastha Pagee lu Oo Bastha Pennulu Kaavali”

“Maatalu icchukoni Kotudhunnadu veedekkada puttadu raa”

“Neekey Thalanoppi Theppinchadu anteyVadu Amrutanjan Amma mogudu ayyi vuntadu”

“Aasa Cancer vunnodini kooda Bathisthundi---Bhayam Ulcer Vunnodini kooda Champesthundi”

“Dheenni okka Thopu thosthey Bhayam tho paatu Brain kooda bayatiki Vasthundi”

Nee salaha ela vundhantey….“Okadu rain coat vesukoni Sunami lo nunchunnadanta”

“Karuvu vocchina Country ki Ambassidor laaga vundi”

“Nenu pidikili Bigisthey Gaali kooda Voopiraadaka chasthundi”

The dialogues of Tanikella bharani in the hospital with Allu Arjun are good.

    The plot is loose and logic has gone for a toss many times. In the second half the story and the scenes went wayward and all of a sudden the story shifts from catching the villain to impressing the heroine with a song. The fight sequences also appeared unrealistic at times. In the last half- an- hour Trivikram brought back the movie on to the track and succeeded in building tension and kept up the pace. Trivikram once again ties the Audience to their seats with his magical dialogues and punches.

Reel Guru Meter:

Story/Screenplay: 50%

Performances: 70%

Entertainment: 70%

Narration: 60%

It has been a long time we have witnessed a Clean ‘U’ certificate movie from top heroes. This film can be enjoyed with whole family. Audience who seek Entertainment and mass elements can enjoy this weekend. The films range depends on how the B,C centers receive this flick.

Plus: Dialogues, Performances, Songs, Cinematography

Minus: wafer thin story line, Logic less scenes

Verdict: Decent Entertainer, Can be watched once – Trivikram fans can have good time with some punchy entertaining Dialogues.

Reviewed By

Vinay

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